Time away at home, addendum

Yesterday was a perfect time-away day at home.

After spending the first hour of the day letting friends know about new pieces added to my blog (a task that gives me a satisfying sense of completion), I put some notes, my laptop, and an umbrella in a small pack and, with my pack on my back, headed out for a long walk. Despite a weather forecast of clouds and rain with a possible thunderstorm and hail, I planned to be out much of the day on a course I would determine as I went.

I walked a few blocks before stopping for breakfast at a neighborhood coffeeshop, where I also read through past notes for a complicated piece I’m trying to write. Part-way through the longer next leg of my walk, the sun began to prove the forecast wrong. What a gift! After a couple of miles of steep, winding streets and views of the Cascades,  I stopped  for coffee at a tiny coffeeshop where I struggled to find a path through the ideas in the writing. I didn’t actually pull out my computer, but I found at least a preliminary place to begin and started out again. The sun had taken over completely as I headed down the hill attracted by a set of stairs I hadn’t walked before and then headed straight east toward the Aboretum.

A map of my walk made after the fact

Just before reaching the park, I stopped at a cafe/coffeeshop for lunch. I fiddled with my notes as I ate, but forced myself to actually begin before I left. By the time I walked out, clouds covered the sky and the rain had begun. Umbrella up, I headed into the Arboretum and followed a trail along the west edge that I hadn’t walked before, with pines at the start and hollies toward the end. The treat at the end of the trail was a bakery/cafe just outside the park entrance. Over another cup of coffee and a treat, I made pretty good progress in my writing, at least getting a few thoughts into a document on my computer. Sheets of rain came down while I worked.

A bit later, bright sun pulled me outside again, this time to walk an almost straight line home. The straight line I’d walked before reaching the park was level, this one definitely was not. My quick estimate of the elevation gain on one specific block – a short one, at that – was about 65 feet, though it felt like a 45 degree angle. After I got home, the energy of the walk continued and I worked for another hour or so.

The piece I’m writing is far from done, but the day convinced me that interesting places to walk and let my mind wander are another requirement of a satisfying time away.


Ah . . . for time away!

Lately I’ve been longing for a time away but haven’t managed to pull one off for way too many months. So, inspired by my friend Mary, I’m trying to create a short one right here, where I live.

Mary and I go a long way back. In the ‘70s and early ‘80s, she and I each headed up an artist-centered organization, she in New York City, I in Seattle. From time to time we’d threaten to exchange jobs, each convinced that it must be easier in the other’s city. Today she’s an artist in her own right, a writer of poetry and librettos who often collaborates with composers, video artists, and others.1 Once, when we were talking about my need for retreats and times away, she declared, “What I want is a retreat right here on Montague Street!”

Montague Street

Today, my calendar opened up with at least three, maybe four, absolutely blank days. With no time to plan a trip out of town, it was finally time to take up Mary’s challenge.

Reflecting on what makes a rewarding time away brought back memories of the one I consider to be my first. In early 1989, I had just finished two large projects that ran consecutively, each of which alone could have been all-consuming. “I deserve a reward,” I thought to myself. After events involving many smart but strong-willed people, project deadlines, and financial pressures – the gift I gave myself was a retreat, a chance to get away, to be quiet and alone for a while, to think and walk and read. My partner of the time thought I was a little nuts, wanting to go off and spend time by myself.

Madame Marie’s Suite (from Palace Hotel website today, it’s a little fancier than in 1989)

I didn’t go far. I got a room for a week at the Palace Hotel in Port Townsend. Built in 1889, the Capt. H.L. Tibbals Building housed the hotel, which, according to the hotel’s literature, operated as a brothel from 1925-33. I spent the week in “Marie’s Suite,” named for the Madame of the house. From her corner room on the second floor I had a nice view down to the intersection of Tyler and Water Street, Port Townsend’s main downtown drag. I moved the furniture around to put a table in front of the window. Natural light and some sort of view, I now know, is an important aspect of my times away.

Palace Hotel with Marie’s suite on the corner behind a tree that wasn’t as big in 1989

Among the essentials I packed up to take along was the first computer I ever owned, a Mac 512 acquired in 1985. Weighing 16.5 pounds, it was fondly called “the luggable” back then, as “portable” was not yet an adjective used to describe computers.

Other essential materials for a time away are a few books, paper and pens, and good walking shoes. Without having to pack them in, I have all these things, albeit slightly updated, here at home.

What I don’t have here is the focusing isolation offered by being in a different space and a less familiar community, away from the many daily little tasks that are always present at home. My will power will be tested.2

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1 Mary Griffin and “Blue” Gene Tyranny, “Recollections: Songs from Aphasia,” presented at Roulette last year.

2 Of course, now I’ve used up most of one of my days making this. Is this how I meant to spend my time away? Or am I procrastinating?  Hard to say.


String Tales – my “literatura de cordel”

Pamphlets, broadsides, newsletters, flyers,
leaflets, booklets, chapbooks, and zines

From one to maybe 24 pages, quickly and cheaply produced and easily distributed – these print forms fit my style. Over the years I’ve produced many variations on the form.

Recently, I’ve started turning some of my blog posts into small publications. I make them myself and call them “String Tales.” I reformat the text and images, print them on an inexpensive color printer that prints up to 11×17 inches, fold them twice, hang them on a line, and give them away.

The inspiration for the form is a tradition I first learned about from Don Russell, a friend in Washington DC who founded and runs Provisions Library: Art for Social Change.1 Literatura de cordel, or “string literature,”  is a popular form of publishing that thrives in Brazil. Don and a team from Provisions traveled to Brazil to research the tradition. After their trip, the Provisions team put together a mobile print workshop and took it into DC neighborhoods.

Wanting to know more, I followed leads from the Provisions website to other references and stories about this “string literature” and who makes it.

They are the bards of the backlands, traveling with their poems from town to town and market to market. Practitioners of an art form that originated in medieval Europe and is now mostly obsolete elsewhere, they nonetheless continue to thrive here.2
              — Larry Rohter describing “the troubadours of Brazil’s backlands”

These poets and storytellers travel through towns in northeastern Brazil, reciting or singing their stories and poems in marketplaces, often to townspeople unable to read or write, and offering them for sale in small, cheaply-printed booklets pinned on cords or strings (cordel) hung across market stalls. Bold woodcut graphics on the covers attract passers-by.

The roots of the tradition are deep, fed by many sources – one-page flyers brought to Brazil from Portugal in the 16th and 17th centuries, song traditions of medieval troubadours, Iberian ballads, and moral themes from biblical stories and from African and Brazilian-Indian traditions.

Literatura de cordel is a living, breathing, popular tradition with themes that range from fantastic heroes to local politics. According to a blurb describing a 2011 symposium on cordel, themes include “critiques of current international and local events, humor and satire, adventure, romance, sensational or moralistic narratives, religion, the exploits of heroes and bandits, environmental concerns, educational advice on health and child-care, and more.”3

In addition to the traditional chapbooks, cordel blogs are now active on the internet. A quick online search for “cordel blogs” demonstrated just how true this is. Even though I know no Portuguese, I lost myself moving from one site to the next.

Especially as the form is practiced today, cordel stories can take oral or print or now digital forms. I’ve long been fascinated by the potential of a story or an idea that begins in live conversation and gets picked up and shared in print, with details and meaning shifting slightly. Then that print piece, in turn, might be put online, again with adaptations. Or the order might change, with a digital piece prompting a conversation, which becomes a reference in a book or magazine.

I’m grateful for the capacity of digital networks to send messages, like my blog posts, across otherwise impassable distances. But I’m willing to bet that when I hand someone one of my String Tales rather than giving them a link to my website, the chance that they’ll actually read it increases a hundredfold.

References

1. Provisions Library: Art for Social Change
From the website: “Provisions investigates the relationship between art and social change through research, production, and education. From its library home in George Mason University’s School of Art in Fairfax, Virginia and at sites throughout the District, Provisions produces and supports projects in the US Capitol Region and across the globe.”

2. “Troubadours of Brazil’s Backlands,” Larry Rohter, The New York Times, June 14, 2005.

3. Literatura de Cordel: Continuity and Change in Brazilian Popular Culture, a symposium, American Folklife Center, 2011.

Sources of cordel photos

Arte em cordel, Museu do Cordel Curiosidades.

Aula de arte, Literatura de Cordel, 19 de Novembro de 2015.

Espaço de la Cruz, Fotos – Decoração e diversão 2.

Photos of String Tales are my own.