Shivaji Competition – Islands, Deltas and Rising Seas

 A competition for ideas    shivajiprotrait

As part of the second Rising Waters Confab at the Rauschenberg Residency, artist, arts planner, and organizer Glenn Weiss is organizing a competition of ideas for maintaining human life on the islands and deltas doomed by the minimum predicted sea level rise of one meter in the 21st century. As a participant in the first Confab, I’m including here excerpts from competition materials. More information, inspiration, and details for submitting can be found on the competition website, here. *

The great warrior king of 17th century India, Shivaji Maharaj, established the Maratha Empire against the dominant Mughals and held off the territorial ambitions of the Europeans. Part of his legacy is a group of island forts in the Arabian Sea with stonewalls ringing the edges against the sea and the Europeans. The Shivaji island forts are the starting metaphor and reality for the competition.

The competition asks artists, architects, designers, animators, planners, scientists and playwrights to propose the practical and the impossible to maintain the continued human habitation of these islands throughout the 21st century.

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Each entry is to be submitted online as an animated GIF demonstrating a proposal for when the sea rises at least one meter. “Humor, drama, paradox, and factual reality in photographs, anime, renderings, and all other visual formats are acceptable. Clarity of idea and message is very important.” One of the finalists will be selected to attend the Rising Waters Confab II in its last week between May 19 – 26, 2016.

Submissions are due March 10, 2016.

The website provides lots of examples from around the world, including this one:

Richard Tipping's sculpture "Watermark" (2000) was not intended to be underwater in Brisbane, Australia. But water does rise.
Richard Tipping’s sculpture “Watermark” (2000) was not intended to be underwater in Brisbane, Australia. But water does rise.

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*Link spelled out:  <https://shivaji2016.wordpress.com>

For information about the first Rising Waters Confab, click here.  Rising Waters also has its own website here, which includes both 2015 and 2016.


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Lost Defenders of the Environment


TheLostDefenders_3-1200x780The Lost Defenders of the Environment calls attention to the 991 documented environmental activists who were killed or the victims of enforced disappearances from 2002 to 2014 in thirty-nine countries. It was created by Mika Yamaguchi, Orion Cruz, and Sarah Jornsay-Silverberg for ARTCOP21, the global cultural festival on climate change that ran concurrently with the Global Climate Change talks in Paris in late 2015. Cruz also participated in the Rising Waters Confab at the Rauschenberg Residency.

While nationally sanctioned monuments traditionally commemorate those who perished in battle, Yamaguchi and Cruz’s Non-memorial recognizes marginalized victims of often secret persecutions, revealing the staggering number of known deaths and disappearances resulting from systemic oppression; traumatic killings that are, in many cases, not recognized as crimes. The Non-memorial is a digital film projection of names.

It is mobile and fleeting so it derives its significance from what it is not. It is not a memorial; it is not permanent; it does not provide closure, nor is it indicative of justice. It can be anywhere because it is nowhere, and it is nothing until leaders/governments make the changes necessary to prevent more deaths of environmental activists.


From the streets of Paris

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•  Mika Yamaguchi is an architectural designer and artist.  She received an undergraduate degree in Psychology from Queens University and completed her Master in Architecture from the University of Toronto, Canada. Aside from designing buildings, she is particularly interested in looking critically at the use of architectural devices and the efficacy of memorials in representing traumatic events.

 Orion Cruz is a lawyer who focuses on environmental law and policy, human rights, climate change, and Latin American affairs.  He has worked on legal cases and campaigns related to human rights and the environment throughout Latin America, attended multiple global climate change conferences, and published articles about environmental issues and Latin American politics.  He is currently based in Hawaii.

•  Sarah Jornsay-Silverberg is an international environmental lawyer who graduated from Lewis & Clark Law School in the United States in 2012.  Since graduating, she has worked on human rights issues related to extractive industries at the international level. She has also participated in local fossil fuel divestment actions near her home in the San Francisco Bay area of California.  She is in Paris this month to fight for justice for the communities that are most impacted by climate change.


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A global cultural festival on climate change


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Most of you who read this are probably following the Climate Talks in Paris – officially named the 21st Conference of the Partners to the United Nations Framework Convention on Climate Change, or COP21 – that started on Monday, November 30 and lasts until December 11.

But you may not yet be following ARTCOP21, the global cultural festival on climate change that began in September and runs through the end of the year, with a focus in Paris. Today its website says that 513 events have been scheduled in 52 countries, 114 of them in Paris. The website has images and information about all of them, included under the tab, “What’s On.” It’s impressive!

On the website, the two organizing groups – Cape Farewell based in London and COAL, the Coalition for Art and Sustainable Development, based in Paris – stated their vision for the climate festival. (Check out the Banksy photo on their vision page.)

Climate is everyone’s business. Join the cultural movement towards a carbon neutral, clean future. We need the negotiations taking place during the United Nations Conference on Climate Change (COP21) to succeed and build a sustainable global culture. Climate change is often seen through a policy or scientific lens, and solutions are discussed only in political offices, boardrooms and negotiating halls. ARTCOP21 launched ahead of the UN climate talks in Paris, aims to challenge those tropes. Climate is culture. What is required is the active engagement of citizens worldwide in the urgency, value and opportunities of a transition away from fossil fuels and the embracing of a greener, sustainable future economy.

ARTCOP21 will connect hundreds of thousands of people to the climate challenge through an extensive global programme of over 290 major events;  art installations, plays, exhibitions, concerts, performances, talks, conferences, workshops, family events and screenings – plus a whole range of people power gatherings and demonstrations – taking place right across Paris and worldwide. We already have events in 34 countries, and momentum grows by the day. All these events will highlight the need for governments meeting in Paris to support strong climate action and signal the end of the fossil fuel era – making climate change a people issue, not one to be left solely to the politicians. We will #FightForTheFuture.

You’ll notice that the number of events and countries has increased since the statement was posted.

This past May, I participated in the Rising Waters Confab at the Rauschenberg Residency, organized by artist Buster Simpson with assistance from artist Laura Sindell and me.

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David Buckland, founder and director of Cape Farewell, joined us for the last of our five weeks there. Several other Rising Waters participants are in Paris right now as well, working on projects designed for the festival – Gretel Ehrlich, Mel Chin, Orion Cruz, and Edward Morris and Susannah Sayler of the Canary Project.

Shortly after the attacks in Paris, David Buckland sent an email to all of us who participated in Rising Waters.

November 18, 2015
Dear Buster and all the Rauschenberg workshop team,

Cape Farewell, with our French partners COAL, built ARTCOP21 as an umbrella organisation to champion all the climate-cultural events happening in Paris and now worldwide. To date over 400 cultural/climate events have been registered in over 46 countries, numbers that way exceeded our hopes. We are the ‘official’ cultural partners to COP21, and we have confirmed with them that all our events in Paris will go ahead as scheduled. This is sadly not the case with some of the government-led events, and the climate march planned for the 29th November is in doubt. Please look at our website www.artcop21.com for all the events listed and for current new items.

Cape Farewell and COAL are determined that we will keep a strong global focus on climate through culture, and that the totally horrible and cowardly murders that happened in Paris last weekend must not be allowed to dominate the climate challenge and the building of a better, more connected, healthier world culture.

We have been giving assistance and continue to do so to Mel Chin and Gretel Ehrlich’s L’Arctique est Paris, plus I have been working with Orion Cruz and Mika Yamaguchi in their great Lost Defenders of the Environment artwork. Staging both in Paris at the moment is difficult, but we are all determined that the presence of both artworks is felt.

Please, in addition, if anyone is staging a climate/cultural art event before the 12th December, sign it up on our web site. It is very important that the powers that be register that the creative sector has a very important place at the climate ‘table’ and that this is now a global movement for positive change.

Forward
David

On November 19, Cape Farewell and COAL posted a statement expressing similar sentiments. “In Response and Moving Ahead” responds to the Paris attacks and states their conviction that a cultural exchange around climate change is more important now than ever.

Here are ARTCOP21 projects produced by Rising Waters participants.


L’Arctique est Paris, The Arctic is Paris

A project created and produced by Gretel Ehrlich, Mel Chin, and the Canary Project.

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A message from Edward Morris of the Canary Project provides an introduction:

Inspired by the activism around the COP21 talks, The Canary Project has been working with Mel Chin and Gretel Ehrlich on a multifaceted project called The Arctic Is.  This project will ultimately result in a website with information on both climate change impacts and actions specific to any location you enter.  Not run of the mill actions like changing a light bulb or buying this or that green product, but rather specific marches, politicians to vote for, groups to join, real culture that you can make etc.

 The main theme of the project is that climate change is not some remote phenomenon. It is everywhere and is happening now.  The Arctic is Paris.  The Arctic is Des Moines. The Arctic is Lagos.  The Arctic is Lima.  The Arctic is Beirut.  The Arctic is your hometown.  The project launches with two events in Paris organized by Gretel Ehrlich featuring in an amazing in-progress film by Mel Chin.

The ARTCop21 website offered this about the second event:

A rare event with elite hunters from the top of the world – a talk on December 6 with Jens Danielsen, Gretel Ehrlich and Mel Chin: putting a human face onto climate change.

The second in a two-part presentation by Gretel Ehrlich and Mel Chin, will be moderated by Neal Conan, and will include a film by Mel Chin, stills and videos by Gretel Ehrlich, talks by featured speakers from Greenland and the Pacific Islands with traditional artifacts from the Arctic and the Pacific Islands. This continues the presentation at La Generale on December 2nd.
This continuing conversation will feature speakers Jens Danielsen and Mamarut Kristiansen from the northernmost town in Greenland, elite hunters from the top of the world. Jens traveled by dogsled from Greenland to Point Hope, Alaska, duplicating the Fifth Thule Expedition, a journey made by Knud Rasmussen in the 1920’s. He is the mayor of Qaanaaq, and a delegate to the Inuit Circumpolar Conference. Mamarut is one of the great hunters from Qaanaaq and is Jen’s brother-in-law, part of the extended family group that lives and hunts together. He is married to the great granddaughter of American explorer Robert Peary. Jens and Mamarut represent indigenous Arctic people who co-evolved with ice and migrated across the polar north from Siberia thousands of years ago. They will talk about how the demise of sea ice has affected their intact culture, their hunting traditions, their ability to survive, and where they go from here.

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The Lost Defenders of the Environment
An installation and a website, an ArtCOP21 event created by Orion Cruz (Rising Waters Confab participant), Mika Yamaguchi, and Anne van Koeverden. The project website says:

The defenders of the environment are people who are on the frontlines of the struggle to protect what is left of our planet. They are not willing to stand idly by as the environment we all depend upon continues to be ravaged. Some refuse to sacrifice their drinking water and ways of life for the sake of extracting gold from the ground. Others protect what remains of the Amazon from settlers and illegal logging.

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Among other things, the project and website recognizes the names of 991 Environmental Activists killed or disappeared
between the years of 2002 and 2014.

The Lost Defenders project examines the lack of progressive action in response to the global struggle of a harrowing number of individuals, a great number whose perpetrators go unpunished. We attempt to portray that their deaths may just be forgotten if the names of the victims do not become known during the COP21.

Without these defenders business as usual will continue – far too unrestrained to provide us hope that future generations will inherit a healthier and more beautiful planet. For this reason their actions and examples are critical. They remind us of our humanity and our connection to all living things. They remind us that we’re all one. Their struggle was not, and is not, for nothing; it’s for everything. Their actions won’t be forgotten, they will be celebrated.

More information about The Lost Defenders can be found here.


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